Παρασκευή 25 Φεβρουαρίου 2011

ANDREYA TRIANA FEAT FINK & BONOBO LIVE IN PARIS @ NINJA TUNE XX BDAY





http://www.grandcrew.com

Andreya Triana, Fink et Bonobo got together for a unique performance to celebrate the 20 years anniversary of their favorite record label: Ninja Tune.
On this occasion, the 3 artists played exclusive versions of Andreya Triana's album Lost Where I Belong (note: Bonobo produced the recording and Fink co-authored 2 tracks with her).
Jazz singer Andreya Triana at the Dalston Fest...Image via WikipediaThe Centre Pompidou played its part by setting a classy and subdued setting that magnified Andreya's fabulous voice, Simon's grooves and Fink's ever-so-delicate and precise musicianship.

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Πέμπτη 10 Φεβρουαρίου 2011

Belleruche



Belleruche is a band consisting of Kathrin DeBoerRicky Fabulous, and DJ Modest. Formed in the lesser bars and pubs of North London in 2005, the band now record for the Brighton based Tru-Thoughtslabel.

(They’ve got a new single out in August called ‘Clockwatching’- video is up here:http://www.youtube.com/watch?v=oEDhY9H0f08)

Influenced by vintage blues records, punk girl drummers, obscure 60’s cover bands and experimental west coast turntablists, they describe their sound as ‘Turntable Soul Music’.

Belleruche released a series of three extremely limited 7” records on their own Hippoflex Recording Industries label before signing with Tru-thoughts. These individually numbered 45’s (with hand screen-printed sleeves) quickly sold out in the UK’s independent record stores and attracted a cult following in the UK and Europe, having been hand-distributed by the band at gigs.

In 2007 Belleruche signed to Tru Thoughts and their debut album ‘Turntable Soul Music’ was released in July of the same year, gaining admiring reviews both at home and abroad and becoming the fastest-selling debut album in the label’s history.
The songs on ‘Turntable Soul Music’ were written in train carriages, dubious minicabs and pub backrooms around the UK whilst the trio gigged everywhere they could. The songs were then forged and reworked in the band’s electrifying live shows. From their initial sunday residency in the Salmon and Compass in Angel, London to gigs all over Europe, Australia and Asia. ‘Turntable Soul Music’ is like a weird trawl through a dusty basement full of the best records you’ve never heard of, whilst a voice you can’t quite pin down sings hooks you can’t forget.

Their live show marks them apart, using only a turntable, sampler, guitar and microphone, they combine to produce something markedly different. Sounding at once both weird and distinctive, but at the same time musical and compelling, they have played at venues as diverse as Montreux Jazz festival, The Dance arena at Glastonbury, and many underground nightclubs.



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In October 2008 Tru-thoughts released ‘The Express’, the bands second album. Following on from the live songwriting and broken leads ethic of Belleruche’s debut, ‘The Express’ has maybe a tougher sound.

The bands next album will be released in October 2010, and is titled ‘270 stories’. The lead single is called ‘Clockwatching’ and will be released in August. The video for the single is here:http://www.youtube.com/watch?v=oEDhY9H0f08


The band are currently working a new live show, and will be playing festival dates this summer, and touring the new album in autumn.

Kathrin deBoer.

Raised on a pirate boat sailing the South Pacific Ocean, with only Billie Holiday and Spanky Wilson records for company, Kathrins voice carries the soul of the wind off the cape mixed with the grit of illegal Polynesian rum bars. Lyrics written in bottles cast into the sea found their way into three continents; Kathrin jumped ship and found London.

Ricky Fabulous.

Leo. Baby. Following an adolescence chasing girls and heavy rock bands, Fabulous found himself trapped working for a Maltese gangster in a frozen northern town. Whilst keeping warm locked in a damp basement, he found a stack of quarter inch tapes and discovered the work of Grant Green and Django Reinhardt, which gave him the energy to slip out of town, heading south on a freight car clutching a false identity and a forty-year-old guitar.

DJ Modest.

Growing up in the deep south, in engine oil and mud, Modest discovered hiphop on a stolen radio, sneaking into clubs through broken windows to hear more. Building turntables and mixers from scavenged electronic gear and two stroke engines, he created a soundsystem and played unlawful hiphop parties in strange woodlands to farmers. He coaxes twisted Bluenote solos and broken drums from Shure m44-7s whilst drunk on moonshine.
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